Friday, 18 September 2015

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Sunday, 13 September 2015

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Lauren Budd is an example of a model who did not let herself get satisfied with the public attention she received early in her modelling career and now she is about to reap the benefits for staying motivated and focused on improving her modelling.
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Modelling photos of the beautiful English model have surfaced which show her looking stunning for various clients. However, when some social media fashion observers compare her modelling photos of several months ago or even a year to those of the Summer of 2014 and September 2014 there is a distinct difference noticeable in the eyes of model professionals. Her body like many models has become fitter but her facial expressions and focus that she has shown in her photo shoots has become much more developed.

In one photo that some fashion fans and social media fashion observers have found on the Internet she is wearing a violet 'bodycon' lingerie shapewear outfit and her sensual facial expression brings attention to her beautiful eyes and the makeup that makes them so prominent.
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As a young model with a fantastic body sometimes she would rely solely on her sensual physique to 'sell' the clothing or keep the attention of viewers but now as a more experienced model she is using her 'total' package to sensational effect.

Fashion fans and some social media fashion observers are very impressed with how she is able to make a one piece lingerie bodycon outfit into a sexy outfit that has led to men discussing her 'emergence' as a model on their social media websites and in conversation throughout the Internet.

Lauren Budd is an English model who is now the total package as a model and who is on the radar screens of social media fashion bloggers both in and out of England.

Friday, 11 September 2015

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Steve James' Life Itself, Alan Hicks' Keep on Keepin' On, Gabe Polsky's Red Army and several others are formidable contenders, but Citizenfour, Laura Poitras' highly-anticipated new documentary about Edward Snowden, the NSA contractor-turned-famous/infamous whistleblower whose information Poitras and fellow journalist Glenn Greenwald helped to bring to the attention of the world, is going to be very hard to beat in this season's best documentary feature Oscar competition.

This authoritative portrait of Snowden — the first-ever late addition to the main slate of the New York Film Festival in the fest's 52-year history — had its world premiere at Alice Tully Hall on Friday night, where its end-credits and its filmmaker's post-screening introduction were both greeted with prolonged standing ovations. RADiUS-TWC released a trailer of the film on Friday and will distribute it in the U.S. starting on Oct. 24.
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Citizenfour marks the third installment in what Poitras has called her "trilogy about America post-9/11." The first, My Country, My Country (2006), which looked at Iraqis under U.S. occupation, was Oscar-nominated. The second, The Oath (2010), which focused on Yemenis who wound up at Guantanamo Bay, was not. Meanwhile, the latest entry — which derives its title from the name under which Snowden initially introduced himself to Poitras online — is the most polished and engaging of the three, most industry insiders with whom I spoke after the screening seemed to feel.

Also read Edward Snowden Doc 'Citizenfour' Reveals Existence of Second NSA Whistleblower

The film, much of which Poitras shot when she and Greenwald traveled to Hong Kong to meet Snowden for the first time in June 2013, offers an unprecedented look into the motivations, mindset and character of the then-29-year-old as he made his fateful decision to leak top-secret government documents about secret government surveillance of citizens to the press. It paints him as an intelligent, charming and actually quite funny character — but, it must be acknowledged, that portrait was crafted by a friend.

Poitras — who never features her own image on screen, despite being present for and integrally involved with most of the events that the film documents — clearly was not a disinterested observer chronicling a story wherever it led her. Instead, she might be called a collaborator: she engaged with Snowden like a friend; helped him to achieve his objectives; housed him in her own hotel room when his became unsafe; and even advised him, at times, with Greenwald, about how to help himself. (Greenwald asks on camera, at one point, "How do we do this in the right way?")

Also read 'Citizenfour': NYFF Review

This will bother some viewers — but not necessarily the 200 or so members of the Academy's documentary branch, who actually have quite a history of nominating docs by filmmakers who used their films to question the conduct of the American government. Among others: The Panama Deception (1991); Waco: The Rules of Engagement (1997); The Fog of War (2003); Sicko (2007); Taxi to the Dark Side (2007); GasLand (2010); Inside Job (2010); The Invisible War (2012); and, earlier this year, Dirty Wars, which was co-produced by, co-written by and centers around Jeremy Scahill — who was also an advisor on, is featured in and appeared at the Tully on Friday night on behalf of Citizenfour.

In other words, Citizenfour, installment three of a trilogy, appears to be on track to produce Oscar nomination number two for Poitras — and perhaps even Oscar victory number one.

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In Disney's animated film Big Hero 6, out Nov. 7, a group of smart kids and a robot fight evil. That meant that the actors had to voice characters who were running, jumping and fighting, which is not so easy to do while sitting in a recording studio.

At New York Comic Con, Genesis Rodriquez (Honey Lemon), Jamie Chung (Go Go Tomago), T.J. Miller (Fred), Ryan Potter (Hiro Hamada) and Scot Adsit (robot Baymax) show USA TODAY how they warmed up their voices for animated action, and what distinguishes a human voice from a robot one.

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Wednesday, 2 September 2015

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Monday, 31 August 2015

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